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Composer Bios
Albeniz
Albinoni
Allegri
Arnold
Bach, J S
Barber
Bartok
Beethoven
Berlioz
Bizet
Brahms
Britten
Bruch
Bruckner
Chopin
Copland
Debussy
Delius
Dvorak
Elgar
Gershwin
Gibbons
Grieg
Handel
Haydn
Holst
Janacek
Liszt
Mahler
Mendelssohn
Messiaen
Monteverdi
Mozart
Offenbach
Part
Poulenc
Prokofiev
Puccini
Purcell
Rachmaninov
Ravel
Rossini
Saint-Saens
Scarlatti
Schubert
Schumann
Shostakovich
Sibelius
Strauss, Johann
Strauss, Richard
Stravinsky
Tchaikovsky
Vaughan_Williams
Verdi
Vivaldi
Wagner
Walton
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One of the most
innovative pianists of the 19th century, Frederic Chopin changed the
course of piano literature with his original harmonic ideas and
adventurous pieces.
His father a French émigré and his mother a lady-in-waiting to a
Polish countess, Frederic Chopin grew up in a cultured household outside
of Warsaw. Chopin expressed an interest in the piano at an early age and
took lessons from Josef Elsner and Wojciech Zywny. At the age of 16, he
entered the newly established Warsaw Conservatory. Graduating after
three years, Chopin began to make name for himself performing concerts
in Vienna and Warsaw. Even with such early success, he decided to leave
Poland for Paris in 1831 due to the country’s political instability
and his own musical ambition.
The move turned out to be a fruitful one as Paris was the centre of
Romantic pianism during the 1830s, and Chopin quickly became one the
movement’s leading figures. Introductions by talented friends such as
Liszt, Schumann, and Pleyel allowed Chopin easy entrance into the elite
Parisian salons, a key venue for artists of the time. There, he quickly
became a sought after teacher and performer of great renown, known for
his sensitive, artistic playing and skilled improvisations. Chopin
developed numerous artistic connections and friendships through these
private concerts and ran in Paris’ highest cultural circles. His
friendships and associations included such diverse and talented
individuals as writers Victor Hugo and Alexander Dumas, poet Heinrich
Heine, and painter Eugene Delacroix.
His most famous acquaintance, however, was with novelist George Sand
(born Aurore Dudevant) with whom he had a romantic relationship
beginning in 1838. Spending much of his time at Sand’s Nohant estate,
this period coincided with one of Chopin’s most compositionally
fertile. Writing almost exclusively for piano, he composed both
large-scale virtuosic works, evident in his scherzos, polonaises, and
piano concertos, as well as small, intimate portrait pieces, represented
best by his preludes and nocturnes. These works feature a unique and
original harmonic language that would influence such composers as Liszt,
Grieg, Debussy, and Rachmaninov.
In 1847, the romance with Sand ended badly. The following year, Chopin
visited Britain for an extended period, seeking a change of scenery.
Unfortunately, his health, a constant concern throughout his life, began
to deteriorate rapidly. Returning to Paris, Chopin died of turberculosis
at the age of 39. Over 3,000 people attended his funeral where his own
funeral march from the B-flat-minor Piano Sonata was played as a fitting
tribute.
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