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Composer Bios
Albeniz
Albinoni
Allegri
Arnold
Bach, J S
Barber
Bartok
Beethoven
Berlioz
Bizet
Brahms
Britten
Bruch
Bruckner
Chopin
Copland
Debussy
Delius
Dvorak
Elgar
Gershwin
Gibbons
Grieg
Handel
Haydn
Holst
Janacek
Liszt
Mahler
Mendelssohn
Messiaen
Monteverdi
Mozart
Offenbach
Part
Poulenc
Prokofiev
Puccini
Purcell
Rachmaninov
Ravel
Rossini
Saint-Saens
Scarlatti
Schubert
Schumann
Shostakovich
Sibelius
Strauss, Johann
Strauss, Richard
Stravinsky
Tchaikovsky
Vaughan_Williams
Verdi
Vivaldi
Wagner
Walton
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Essentially
self-taught, Gershwin was first a song plugger in Tin Pan Alley and an accompanist.
In his teens he began to compose popular songs and produced a succession of musicals from 1919 to 1933 (Lady, be Good!, 1924; Oh, Kay!, 1926; Strike up the Band, 1927; Funny Face, 1927; Girl Crazy, 1930); the lyrics were generally by his brother Ira (1896-1983).
In 1924 he became famous: he wrote Rhapsody in Blue as a concerto for piano and Paul Whiteman's jazz band. Its success led him to devote increasing energy to 'serious' composition.
His more ambitious works include the Piano Concerto in F (1925) and the tone poem An American in Paris (1928). But he continued composing for the musical theatre, and some of his most successful musicals (Strike up the Band, Girl Crazy, Of Thee I Sing) date from this period.
In 1934-5 he wrote his 'American folk opera' Porgy and Bess, which draws on African-American idioms; given on Broadway, it was only a limited success. Gershwin went to Hollywood in 1936 and wrote songs for films.
Gershwin was a sensitive songwriter of great melodic gifts and did much to create syntheses between jazz and classical traditions in his concert music and black folk music and opera.
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