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Composer Bios
Albeniz
Albinoni
Allegri
Arnold
Bach, J S
Barber
Bartok
Beethoven
Berlioz
Bizet
Brahms
Britten
Bruch
Bruckner
Chopin
Copland
Debussy
Delius
Dvorak
Elgar
Gershwin
Gibbons
Grieg
Handel
Haydn
Holst
Janacek
Liszt
Mahler
Mendelssohn
Messiaen
Monteverdi
Mozart
Offenbach
Part
Poulenc
Prokofiev
Puccini
Purcell
Rachmaninov
Ravel
Rossini
Saint-Saens
Scarlatti
Schubert
Schumann
Shostakovich
Sibelius
Strauss, Johann
Strauss, Richard
Stravinsky
Tchaikovsky
Vaughan_Williams
Verdi
Vivaldi
Wagner
Walton
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Orlando Gibbons came from a musical family and was a chorister
between 1596-8 and then a student between 1599-1603 at King's College, Cambridge.
He joined the Chapel Royal in about 1603 and was one of its organists by 1615 (senior organist, 1625). In 1619 he became a virginal player at court and in 1623
he was appointed organist at Westminster Abbey.
Gibbons took a MusB degree at Cambridge in 1606 and a Doctorate at Oxford
in 1622). One of the most important English composers of sacred music in the early 17th century, he wrote several Anglican services, popular in their day, and over 30 anthems, some imposing and dramatic (e.g. O clap your hands), others colourful and most expressive (See, the word is incarnate; This is the record of John).
Gibbons' instrumental music, also important, included over 30 elaborate contrapuntal viol fantasias and over 40 masterly keyboard pieces. His madrigals (1612) are generally serious in tone
(such as The Silver Swanne).
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